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aims
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explore
the roles of creative people and the 'cultural industries' in the
development of society, culture and public policy by conducting 'action
research'.
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assess
the impact of creative activities, and in particular the experimental
arts, on society and culture as a whole by drawing on bodies of knowledge
& experience from the fields of Art & Design and the Social Sciences.
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identify
ways through 'cultural analysis' in which creative practices can be
critical forces for change and development in society, such as being
effective tools in social and economic regeneration.
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develop
links with industry to explore new forms of partnership and investment
in culture to bring greater benefits to communities, audiences, practitioners
and investors.
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evaluate
and enhance current thinking on the relationship between culture and
the economy to broaden the understanding of the former's role in the
development of society.
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influence
public policy around the role of creativity in learning, work and
play.
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embed
creativity in everyday life by stimulating life long learning.
objectives
STIMULATING
INNOVATION & CREATIVITY
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devise
and realise practical projects as models for innovation and collaboration.
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investigate
the impact of new technologies (and artists' use of them) on society.
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explore
the importance of experimental creative arts for industry and innovation
and champion artists as key links in the development chain of new
technologies, services and practices.
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rethink
what public art can be and how it impacts on society through new approaches
and technologies.
NETWORKS
FOR COLLABORATION
ACCESS
AND UNDERSTANDING
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organise
events (talks, symposia, colloquia etc) and publications (research
reports and creative publications) placing SoMa's findings in the
public realm to foster critical debate.
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feed
back into teaching programmes and research activities of partner institutions,
acting as an interface for further collaborations between practitioners
from different disciplines.
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seek
out new sites for contemporary art to reach audiences unable to engage
with the current structure of galleries and museums - such as public
libraries and new media production centres.

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